Concerto for piano left hand and chamber orchestra - Score (PDF)
Nordgren, Pehr HenrikTuotetiedot
Nimeke: | Concerto for piano left hand and chamber orchestra - Score (PDF) | ||
Tekijät: | Nordgren, Pehr Henrik (Säveltäjä) | ||
Tuotetunnus: | 9790550167278 | ||
Tuotemuoto: | Ladattava digitaalinen julkaisu, PDF | ||
Saatavuus: | Heti ladattavissa | ||
Ilmestymispäivä: | 23.8.2024 | ||
Hinta: | 14,90 € (13,55 € alv 0 %) | ||
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Lisätiedot
Kustantaja: | Fennica Gehrman |
Painos: | 2024 |
Julkaisuvuosi: | 2024 |
Kieli: | englanti |
Tiedostoformaatti: | |
Suojaustapa: | Vesileima |
Sivumäärä: | 52 |
Tuoteryhmät: | PDF-julkaisut Orkesteri- ja näyttämöteokset (PDF-julkaisut) Piano Orkesteri- ja näyttämöteokset Soolosoitin ja orkesteri |
Kirjastoluokka: | 78.5561 Konsertot pianolle |
Avainsanat: | pianokonsertot |
Esittelyteksti
Downloadable and printable PDF edition (full score).
Pehr Henrik Nordgren (1944-2008) dedicated his Concerto for piano left hand and chamber orchestra op. 129 (2004) for Izumi Tateno, who premiered the work in 2004 with Ostrobothnian Chamber Orchestra conducted by Juha Kangas.
Pehr Henrik Nordgren studied musicology at the University of Helsinki and composition as a private pupil of Joonas Kokkonen. In 1970 he received a three-year stipend to study with Yoshio Hasegawa at the Tokyo University of Art and Music in Japan.
Nordgren's music possesses a personal voice of great strength and originality, which enabled him to travel through all types of musical fields. He was neither a conservative nor a modernist. He saw composing as an outlet for self-expression which, for him, went deeper than speech. According to him, music operates at a narrative level. Formal development is a natural process, one which grows out of the musical material he is working with.
Pehr Henrik Nordgren (1944-2008) dedicated his Concerto for piano left hand and chamber orchestra op. 129 (2004) for Izumi Tateno, who premiered the work in 2004 with Ostrobothnian Chamber Orchestra conducted by Juha Kangas.
Pehr Henrik Nordgren studied musicology at the University of Helsinki and composition as a private pupil of Joonas Kokkonen. In 1970 he received a three-year stipend to study with Yoshio Hasegawa at the Tokyo University of Art and Music in Japan.
Nordgren's music possesses a personal voice of great strength and originality, which enabled him to travel through all types of musical fields. He was neither a conservative nor a modernist. He saw composing as an outlet for self-expression which, for him, went deeper than speech. According to him, music operates at a narrative level. Formal development is a natural process, one which grows out of the musical material he is working with.